#anyways (spoilers) missouri really did just murder that kid
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lennyjamin · 27 days ago
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natasha pulley bravely breaking free of this trend in The Kingdoms, where The Murders occur in plain view and actually really put the love interest off the whole thing because hey what the fuck
i'm a big fan of scifi/fantasy romance novels and it's really tickling me how many of the ones i've read over the past year have involved Confessing To The Murder(s) as a major relationship development milestone
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koganphrancis · 6 years ago
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Camless Episode 4
(gif credit: winifred-burkle)
It’s a landmark episode and not a lot happens, as always.  If they didn’t have the fact it was the 100th episode to talk about, they’d pretty much have nothing at all.  Another episode without bringing up Terror (yay!), another episode without sex or a titty shot (shock!), another episode where we learn nothing about wtf is going on with Ian (yawn).  I HAD thought the show had managed to wrap up 3 storylines, but then I saw spoilers online last night that would indicate at least 2 of them will go on :(  Spoilers and not much else under the cut.
Ian got the “here’s what you missed” again this week, which I’m taking as another sign Cam is nearing the swan song ;)  But, ugh,the opening wasn’t funny-or understandable-at all.  Cam’s standing in front of a busload of extras they must’ve bussed in from a local Chicago school of modeling to portray Gay Jesus supporters, he’s wearing his “God Loves Fags” T shirt and says, “What the fuck were you doing last week that was more important than watching Shameless?  Protesting homophobia and bigotry?  Damn right you were.”  WTF?  If people weren’t watching Shameless last week they were exercising good taste, not “protesting” somewhere at 9 PM on a Sunday-or does he mean not watching this shit show is a protest against homophobia and bigotry?  That actually does make sense.  I apologize ;P
Liam  Whatever the point was of aging him and doing a time jump after Monica died went out the window last night when Liam is approached by some public school teachers about his placement for the next school year.  Liam is afraid he’s going to be kept back, but they assure him it’s the opposite, they want to move him up.  He asks if he’ll be put in 3rd grade, but they say they want to try him in 6th.  But if Liam thought skipping a grade would put him in 3rd, that means currently he’s in 1st and the oldest that would make him right now is 7.  The fuck?  The only reason I’m talking about any of this is because that’s how lame the show is now.
Carl  Lip FINALLY says something to him about the dogs smelling up the whole house.  And then shockingly Ian and Carl have a conversation about the dogs too-and West Point.  But of course this is the year of the Gallagher house seeming weird and creepy, so the conversation takes place with a very catatonic-like Ian sitting on the basement steps in weird shadows whilst Carl feeds the dogs.  The brotherly convo goes like this: Ian: Sure they wouldn’t have been better off if you just gassed them like you were supposed to? Carl: I couldn’t bring myself to do it. I: How are you going to order men (note to JW-women can serve in the armed forces now too, even in combat) to kill the enemy if you can’t put down a couple of old dogs?  That’s what officers do-order men (!!!) to kill.  What did you think they were gonna teach you at West Point?  Marching cadences? C: Is that what Gay Jesus would do? I: What, kill old dogs?  Hell no, Gay Jesus is all about inclusion and grace, but you’re not looking to get into heaven.  You want to lead lean mean murdering machines.  (DID ANYONE EVER THINK THAT WAS IAN’S GOAL IN GOING TO WEST POINT?  LEADING KILLING MACHINES TO THEIR DEATHS?  I HATE YOU, JOHN WELLS!)  If you can’t kill a couple of old dogs might be the time to start considering teaching kindergarten?  Nursing school?  
On that note, he gets up and walks away.  Let me interject another rant here-since WHEN is Ian this insensitive sexist jerk who would think of jobs/careers in terms of things real men do vs. traditionally (in the dark ages) “feminine” jobs?  John Wells is a fucking dinosaur that needs to be educated-fucking teaching and nursing jobs are as difficult as soldiering, plus these days they’re expecting teachers to start protecting classrooms with weapons.  He’s such a dumb fuck!
And also-I bet this is the only time Ian will speak to Carl about West Point and we’ll never know how he truly felt about watching Carl grasp at the dream he once had.  Way to blow the opportunity.
There’s a whole stupid side story about Carl and the kid who originally was getting the West Point letter of recommendation.  In another add it to the list of “read the room, school kids arranging to shoot each other isn’t funny, you fucking out of touch white males” plots, Carl needs to get his “killing mojo” back so he goes to visit a local veteran.  I can’t even begin to guess if Wells was trying to make some commentary about PTSD or if he was just using the poor guy for laughs (this is Shameless, as they love to remind us, so I’m guessing Wells was just going for yuks).  The show makes its at least THIRD joke using tattoos as a punchline, and-just like with Mickey and Ian-it fails to be funny.  Get new material, you untalented hack!  Sorry I keep yelling at John Wells-what a waste if he’s not actually reading this ;) 
In Carl’s showdown with the other kid, Wells turns that kid into a poetry-spouting “pansy” at the last second.  The kid can’t bring himself to shoot Carl, so he shoots himself in the thigh saying his warmonger dad can’t make him enlist in the Marines now even if he’s not going to West Point.  I’m sitting at home wondering if the idiot nicked his femoral artery and is about to bleed out.  Carl says the self inflicted wound is just a flesh wound and they’ll be able to tell, so the kid starts blabbering poetry and Carl shoots him in the other thigh to shut him up.  The kid thanks him and Carl walks away.   Now I’m convinced that second shot had to hit the femoral artery and no one’s calling 911 and I bet the kid dies and Carl’s path to West Point is now strewn with his body and Kassidi’s.  
Debbie  I can’t...I’ll try, I’ll try to be brief, because it’s all meaningless.  After spending one night together, Alex says they should live together (because that’s what ALL wacky lesbians do, they move right in), and Debs says yes.  They get to have a cute domestic breakfast scene that by rights should’ve gone to Mickey and Ian, but I digress.  Debbie goes out and buys “lesbian” outfits, which to me just seemed like they were making fun of HER-of course she’s going to hit the mall, she’s just a teenager!  She doesn’t have to be the spokeswomen of lesbians everywhere.  This show has a knack of mocking the wrong things at the wrong times.  It’s their shitty writing, not teen spending habits, that’s ridiculous here.
The next time we see them, they’re in bed again, and Alex is filling Debbie in on her past serious relationships, and then Wells gives Debbie a speech about all the dudes she slept with and it’s so much more cringe-worthy thinking about the fact he wrote it.  Plus it’s another “relationship retcon” speech since Debbie doesn’t mention that every other time she’s had sex it was a form of rape.  Matty (who Wells has Debbie say had a “big dick”) wasn’t conscious (and, btw, John, a 12 year old virgin-which is the oldest Debbie could’ve been at the time with all your screwing around with her still being 16 last year-wouldn’t be all that enthusiastic about “big dicks” for her very 1st time), Derrick (who she lied to about birth control-if he had slipped off a condom right before entering her that would be rape and this case is also-Wells says he had a great body and really knew what he was doing), and the guy she crossed state lines with who was obviously over 21 if he could rent a hotel room in Missouri, PLUS she was drugged and unable to give consent-that dude’s a two for!  Debbie doesn’t mention him, since she can’t remember him, I guess.  She brings up Neil, but says being with him was just financial (she doesn’t bother to say he just watched while she did things to herself.  But hey, if they had had sex, that would’ve been another case of statutory!)  Anyway, then Wells has Debbie spout off about what having sex with another “girl” is like and Alex gets more and more dejected.  She’s just now seeing that Debbie’s not gay?  We’re supposed to feel sorry for her?  When in the previous episode which SEEMS to have taken place the day before (or a couple of weeks, tops, if you’re going by Liam’s time line) Alex said right out loud that she knew Debbie was straight?  WHY IS THIS SHOW SO DUMB?  We haven’t gotten to know Alex well enough to have sympathy for her regardless, but they made the point of letting us know she KNEW going in Debbie is straight.  And of course in John Wells’ world, there’s no such thing as bisexuals, so...
Deb and Alex “break up” (who cares?) and I thought that would be the end of Alex and Debbie’s gay storyline, but no-sounds like they’re going to be the new Ian and Terror-next week “Debbie tries to repair things with Alex” according to Spoiler TV.  NOOOOO!  I wanted that to be one of my three wrapped up storylines!  
Debbie comes back into the Gallagher kitchen, dragging her baby carriage and pillow with her and crying her heart out.  None of the siblings appear very concerned-this is the new Shameless, a bunch of strangers occasionally bumping into each other.  The biggest “shocker” of the scene is the family is eating Popeye’s instead of KFC.  Another jolt that we don’t even know these people anymore, LOL.
Lip  I can’t...I just don’t understand the motivation to try to make Xan part of his life when he doesn’t seem to be bonding with her in the least.  He asks her if she’d want to stay with him if her mom never comes back-but doesn’t tell the kid why HE wants her to stay or ask Xan why she would want to stay when she says okay.  The story is hollow and no one seems to try to be filling it with any substance.  
There’s a couple of scenes at the motorcycle shop and it’s so obvious Lip and Brad have no idea what they’re doing-they always just grab wrenches and poke at bike parts with them.  Last night Lip kept using the ratchet wrench-I think JAW must like the noise it makes.  
Lip sells the bike he restored to get money to buy parental rights from Xan’s mom, and it’s just creepy?  Why would the mom know to trust him?  I’m still not even convinced WE should trust him-sharing a room with her is creepy af.  Anyway, Xan comes running up when Lip’s trying to get the mom to make the deal (and why is Xan out unsupervised in the middle of the night on a dark South Side street?  Even if she did “just” sneak out to look for her mom, this is a clear example that Lip isn’t father of the year, that he’s not meeting the bare minimum requirements as a guardian), and the mom drops to hug Xan because it’s the 100th episode and these two characters we barely know should get the big emotional scene?  Anyway, Lip drops the check and runs, overwhelmed by an actual show of emotion, no doubt.  THIS was the 2nd storyline I was hoping would be over, but then TMZ reported that the actress who plays Xan has been signed for Season 10.  Which, BTW, still hasn’t been officially announced and that just seems weird that they haven’t.  What is Showtime waiting for?  
Fiona  Ugh, she was worse than ever this week.  Can’t believe these are her waning days-it truly seems like Wells is out to punish her.  Fi is on the toilet as Bored brushes his teeth.  Fiona goes right from flushing to brushing her teeth WITHOUT WASHING HER HANDS.  It was so gross-I hope next episode she and Bored have pink eye and mouth thrush.  (Fi also touches her lip after putting on lipstick-still without the benefit of soap.)  They still have no fucking chemistry, and they start talking about the election which of course they don’t see eye to eye on.  Then Fi goes to Patsy’s for the first time in forever and Wells gets to recycle the Fi vs Ian fight over gentrification from last season by having Fi on the opposite side of Frank’s candidate, although they don’t bother to give us any face-to-face interaction.  Which is just fine, since the election storyline was boring and weak anyway.  
Fi is a total...I don’t even know the word-what do you call a boss who doesn’t allow their workers their freedom as voters?  She tells the waitresses to take off their buttons supporting their candidate and that there can be “no electioneering” at the workplace, but puts up a poster for her guy and offers free pie to anyone who puts on one of his buttons.  Would she ever really be that clueless and such a bully?  Does anyone care anymore?  
Later, Fiona goes to the Alibi and has a conversation with Vee where she basically says, “This is what Ford is telling me to think this week...”  Fiona says she wants to vote for the guy against rent control, the businessman  And Vee points out that “the businessman” in Washington isn’t working out too great.  Ooh, Shameless, rushing in with the timely political commentary!  (There will be more too, ugh.)
When Fi shows up at her (or a?) polling place, there’s a rumble going on and Wells has her throw one punch to show us she’s still “South Side”, I guess.  It was gratuitous.  It did not remind us of the show’s glory days, it was a thrown in pointless moment that was so outrageously just tacked on. 
In Fiona’s final scene this week, Bored walks into the apartment building with his massive wooden toolbox reminding us he’s a massive tool, and Fiona tells him how she changed her vote, they kiss, and women’s rights are set back another 100 years.  Oh, and Bored still squints A LOT delivering his lines.  Emmy seems to open hers even wider, probably unconsciously trying to get the other actor to at least try to keep his open once in a while...
Veronica and Kevin  There was some more truly awful “rape jokes” this week. Rape is never going to be funny, and with the week this country suffered through last week-plus the fact that it’s still ongoing-I really wish they had just deleted all the Alibi scenes.  Kev makes up a scoreboard or bingo sheet (it isn’t clear) of all the “types” of rapey behavior that can now be shorthanded into a celebrity’s name.  I won’t even justify the “joke” with some examples.  And then KEVIN becomes a sought-after consultant to make other South Side bars less rapey because he’s the white man running the Alibi and Vee is...not.  
Frank is in the episode more than I’m going to talk about, but suffice it to say I do truly believe his election storyline is over (one out of three is not good enough, Shameless!  Wrap up the boring shit that’s going nowhere and do something with the other shit that’s also going nowhere!)   Mo wins the election, and Wells has a reporter say it’s because voters were afraid to say they were bigots in polls.  Which again, this show is too narrow to try to address larger issues-if that’s Wells’ theory why Trump won, it doesn’t explain how “bigoted voters” elected Obama twice.  Try making the world a better place, Wells.  Yes, there is racism and idiot bigotry here, but there was just something smug about how he justified his fictional political outcome.  There was a scene where Frank’s asking some of the Gallaghers if they’re voting-Carl says he’s too young, Lip says he’s not registered, and Ian says, “What’s the point?”  And that pissed me off too, because we’re having Gay Jesus shoved down our throats, but then Wells seems to be saying Ian won’t bother to vote and would rather blow shit up.  Again, the kid that ORIGINALLY had the dream to serve his country by going to West Point.  And fucking Lip-what, he’s too “smart” to think voting matters?  
(Also in that scene, Ian was eating peanut butter toast, but still no sign of his pill bottles.  Cam actually took a bite of the toast, if that type of dedication to his craft matters to anyone.)
The post credits “joke” was a pedo joke about Mo.  Fuck you, John Wells.  
The only thing Frank was good for this week was to lead us back to Mickey’s house.  As so often with this show, I have to forget context (good thing I’ve had plenty of practice, I guess?) and I will fully admit that when I saw Mickey’s little castle of a house I teared up a little.  It was like seeing an old friend.  
But then of course they had to ruin it by Frank knocking on the door, we hear Terry yelling and hitting a dog named Adolf (they put a yelp in and everything) and Terry opens the door wielding a baseball bat that brought Negan and Jeffery Dean Morgan to mind-I hope that was a shout out to him.  The bat had nails in embedded in it instead of barbed wire, but close enough.  Best not to imagine how much cooler the show might have been with JDM instead of Sean, sigh.  
A much funnier joke than anything they did give us about Mo White would’ve been to have Frank ask Terry, “Still have a connection with Russians?  I have an election to rig.”
Finally we get to Ian but just because he had more screen time this week doesn’t mean we’re any closer to knowing anything.  And I was going to bust Cameron for acting very sleepy and out of it in all of his scenes, but then I realized that’s pretty much how all the Gallagher kids actors have been acting, except for Fiona (and I’d say she’s trying too hard sometimes.  There’s also been lots of scenes so far where it seems like she’s phoning it in-but of course they’re giving her shit to do).  
Anyway, things this episode start in the Gallagher kitchen, Ian groans when he sees the coffee’s all gone, and says he’s not sleeping-he got too used to all the noise in jail, it’s too quiet here.  Well, bitch, the house was always lively when the Milkovich siblings were there too, work on getting them back...
Lip asks him if he met his public defender yet and Ian says Geneva and the Gay Jesus donors got him a lawyer, “rich, queer, too much time on his hands since same sex marriage got fixed.”  Um, why is Ian sounding so put out with the guy without even meeting him?  What’s this superiority complex?  
Later Ian walks into GJ church HQ and he’s limping, but I don’t think it’s a continuity error, I think they probably just had him film scenes out of order that day and I think he went a little too hard, LOL.  Anyway, the GJ kids applaud and Geneva hugs him-she’s into it, he’s not.  At the HQ they’re making silk screen shirts with Ian’s face and Gay Jesus signs.  Geneva is once again spouting out statistics, saying how wildly popular the movement is, 77,000 followers in the past five days-One Direction at their height was gaining popularity around the globe like that, not this Gay Jesus shit.  Ian doesn’t seem to be listening too closely to what she’s spewing, and when two body-builder women walk by he asks Geneva who they are.  She says they’re part of the lesbian legion from an MMA gym and adds, “Your gays turned out to be too sweet to handle security.”  Whatever-they keep trying to act like there’s all this dynamic action happening off screen-NO ONE CARES since all we ever see is Ian moping around, looking like Cameron has a headache.
Next time we see Ian he’s walking around outside in his red kicks (really wish we knew the significance of those-are they supposed to be like Jesus’ sandals?  What happened in the cut scene where he left them in the aisle last season?  I only want to know because the show seems to think they mean SOMETHING)-anyway, where’s Ian going?  Why?  We’re never told-great storytelling this ain’t, kids.  A van slows up next to him and a guy leans out and says, “You’re Ian, right?  Gay Jesus?”  How did the guys in the van know where Ian would be walking?  Do they just circle the Gay Jesus church hoping he’ll come out?  Again, we’ll never know.  The guy continues, “I’ve been watching your videos with my friends.  The burning vans, the sermons-it’s inspiring.”  Ian says thanks.  The guy says, “You really think that’s what Jesus was teaching?”  Ian says, “Inclusion, love, acceptance for all?  Yeah, absolutely.”  Then the van guy says, “You don’t think God sees homosexual bestiality as a sinful perversion of His divine creations?”  Ian’s confused, says, “What?”, sees the sliding panel door of the van open, and takes off running, jumping over fences and at some point in his getaway, pulling some muscle in his tight jeans.  
Next time we see Ian he’s sitting alone in the Gallagher kitchen nursing a beer and his thigh.  (No Bible this time-no sign of his pills either.)  Lip comes in and asks him if he’s okay and Ian says he maybe pulled a hamstring running from homophobes.  Lip says, “I guess there’s nothing new about that, right?” and you wonder just when he stopped caring so completely about his brother.  
Ian doesn’t bother to answer, sips his beer instead.  After a minute he quietly asks Lip, “Think you could do hard time?” Lip: In prison?  Uh...rather not.  I: Gay Jesus kids don’t want me to cop a plea.  Want me to take it to trial.  Get as much publicity for the cause as I can. L: What’s your lawyer say? I: Could be looking at 10-15 if I don’t take a deal.  (Me at home, screaming at the TV: WHAT ARE THE CHARGES?  WHY CAN’T THEY EVER TELL US ANYTHING?  WHAT ARE THEY SAYING YOU DID THAT’S ON PAR WITH MICKEY’S BULLSHIT ATTEMPTED 2ND DEGREE MURDER SENTENCE????)
Lip, rather than saying ANYTHING to the brother he’s closest to about maybe not giving up his entire young adulthood to a cause, not saying something like, “You’d be older than the real Jesus got to live till by the time you get out”, not saying if he thinks Ian’s an idiot if he’s even questioning doing hard time in a bad place, no, rather than that, he takes his coffee out of the microwave and comes around the counter to the same side as Ian and says, “You ah, hearing from Shim again?” I: Sometimes.  (Me at home: WHAT?  WHEN?  What does that look like when it happens?) L: Well, what does Shim think? I: Unclear.  (Oh, Ian, are you kidding me?  All this time you thought you were talking to god but you’ve just been playing with a Magic 8 Ball?) L: Xan’s mom showed up today.  (Guess we’re done talking about Ian then!)  She’s a junkie.  Hookin’... I: What are you going to do? L: I don’t know. I: Maybe you should try asking Shim. L: Maybe.  
End scene.  So again, we get tantalizingly close to a discussion about what might be going on inside Ian’s head-is he getting it?  That the Gay Jesus movement is just using him at this point?  Or does he really think going to prison as the highly recognizable face of said movement is going to work out somehow-other than him not dying a painful and brutal death?  And why can’t Lip give enough of a shit to at least ask him not to go?  Fuuuuuuck.  
Next Ian’s back at GJ HQ.  Geneva comes in and says she didn’t see him come in.  He says he came in the back-all the hugging and applause when he comes in the front is kinda weird.  Since Geneva is the only one who ever hugs him, I hope she’s getting the hint.  He’s looking over the “Free Gay Jesus” posters.
Ian: What is this? Geneva: Couple of the arty kids are working out a few ideas for if you do end up in prison. I: Couple assholes in a van chased me last night.  Apparently they’re not very big fans of my interpretation of Bible verse. G: Fuckers.  I’ll get you a couple of lesbian legion body guards.  They’d love nothing more than to a chance to stomp homophobes.  (Because, yeah, THAT was Jesus’ message.) Ian holds up a Che Jesus shirt with an unintentionally hilarious graphic of him wearing a beret-Showtime probably thinks fans want to buy them (I wrote these notes before Steve Howey tweeted he wants one last night.  It got less than a thousand likes, and I bet that number would be less than half if Cam hadn’t replied).  
I: Think any of this is gonna end up making a difference? G: Ian, you’ve given thousands of gay and lesbian teenagers a voice.  (Insert Mickey gif of “Not really tho” here.)  You’ve inspired us to stand up and fight for ourselves.  
So much wrong with so much of that.  First of all, is Geneva LGBT?  She was a runaway who ran away from having to give blowjobs, right, not because her parents kicked her out for being LGBT?  And she’s been crushing on Ian since Day 1, so, probably not “L”, and Wells clearly doesn’t believe in “B”, so who is Geneva to say “us”?  And next, IF Ian/Gay Jesus has given kids “a voice”, what is he saying for them-are the teens really into his whole “Jesus was a junkie”, “my god is non-binary” shouting that they haven’s shown since last year?  Don’t teens get bored and move on to the next thing when their idols aren’t doing anything new?  Lastly, she says they are standing up and fighting for themselves-where, when, how?  
I: Know what I was thinking when I was running away from those bastards?  (Me at home: NO!  We never know what you’re thinking!  That’s the whole damn problem with your storylines!)  It’s been 2000 years since Jesus died on the cross and I’m still running for my life down an alley because I fall in love with men instead of women.  (No, Ian, you’ve only ever loved one (1) man-fucking admit that for once and then get on with your life.  That line should’ve been “have sex with”, no one deserves to be chased down for that either, and it wouldn’t have made me exasperated with Ian over the whole “love” thing, which is a separate issue this show fucking needs to handle before it’s all said and done with Ian.)  
Then one of the GJ kids comes in to report there’s a bunch of Nazi’s keeping people from getting to one of the polls and we don’t see Ian again this episode. But again, I hope that they’re finally having him wake up to the fact that NO ONE cares about him.  The family has washed its hands of him, the Gay Jesus followers WANT him to go to prison (and probably die) and be a martyr for the cause.  Time to ask yourself who is the only person who ever looked at you and actually saw you there, Ian.  The only person to look you in the eye and say, “I love you.”   
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m0oranshi · 7 years ago
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Diary of a cinephile - Entry 2
Want to get away from life and and watch top notch movies instead?
I’ve been extremely depressed and sick and unable to do much more than watch movies to block out my thoughts in the past two weeks. I haven‘t written a diary of recommendations in ages, but I feel like I’ll feel better if I pour out my love for my favorites, because I haven’t seen or talked about them with anyone. So... I just have to vent about their awesomeness and I want more people to enjoy them because they deserve recognition.
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This one will be... Wow.
It’s bound to cure a little bit of sadness or at least get away from it for a while.
Every single one is different but so unique and amazing, from time-bending thriller, to life and loss, to stopmotion, to romance, to hell, to a man in a sheet walking around the whole movie and somehow it’s perfect... I have so many things that will blow your mind and I can’t keep these gems to myself anymore.
This will be in no specific order. They are all awesome.
I’ll post links as usual to the trailers, it’s up to you to watch them. I won’t give any spoilers though. You’re safe.
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A Ghost Story - Dir David Lowery
Ghost 2: Hello.
Ghost 1: Hi.
Ghost 2: I'm waiting for someone.
Ghost 1: Who?
Ghost 2: I don't remember.
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Genre: Romance, Drama, Mystery
Trailer (please don’t watch it if you want to be surprised)
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I can’t, again, write a synopsis without spoiling anything. So I’m going to write it in a question: How long are you willing to wait, and stay, for the person you love, even if you don’t really know if you’ll ever see them again, even if you don’t really know why, when or even how?
This movie is near impossible to explain. There is very little dialogue but it’s striking as hell. I never knew you could feel so much for an actual sheet without an expression that doesn’t talk. It drags on like crazy at times (there is a scene with a pie and I counted, it’s literally one shot for 3 minutes straight and I admit that was weird in the beginning) but in the grand scheme of it all, the slowness, the sudden fastness, the silence, it all adds to the dreadful flavor this movie brings that I haven’t really felt from a movie before. Boy, is this an experience if you’re open to it. And I don’t think I’ll shake this feeling soon.
If you are into symbollic shit and want a movie where you can really lose track of time in, (I watched it while half awake and it was like a lucid dream) I recommend it. Think of the opposite of The Avengers and if that sounds horrible to you, don’t watch, you’ll hate it and think it’s some artsy-fartsy bullshit. Just being real here.
‘A Ghost Story’ with it’s thriller-like name is ironically one of the most romantic/saddest things I’ve ever seen.
+ Bonus point: the main character is a person in a sheet. C’mon.
++ Bonus point: This fucking epic soundtrack.
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- Gifted (2017) - Dir Marc Webb
Mary Adler: “He's a good person. He wanted me before I was smart.“
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Genre: Drama, Family
Trailer (Safe to watch)
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A young girl is gifted/cursed by being way ahead of everyone her age in intellect, something that runs in the family, and her uncle tries to give her a normal life, a happy life, a life any kid deserves by making friends and whatnot, while others think she deserves and is created for ‘more’.
This one struck me harder than I thought because it started relatively sweet, but then adults got involved and made everything difficult. Near the end I had to burry my face in a blanket to stop my crying because it got a little too close to home (not that I’m a genius or know at all how horrible it would be like to be ‘gifted’ like that, but some scenes are things anybody can relate to, really.)
Anybody has felt like the ‘odd one out’ at some point, and the unfairness of how you are treated when you are slightly different and how people jump onto that opportunity like vultures just struck such a cord with me. The child actress is absolutely brilliant, the best I’ve seen in a while, I generally wanted to jump through the screen to hug her because for a second I thought she wasn’t acting, that’s how good she is.
+ Bonus point: A one eyed cat becomes a major plot point.
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- Three Billboards Outside Ebbing, Missouri - dir Martin McDonagh
Mildred Hayes: “This didn't put an end to shit, you fucking retard; this is just the fucking start. Why don't you put that on your ‘Good Morning Missouri fucking wake up’ broadcast, bitch?“
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Genre: Drama, Black Comedy
Trailer (safe to watch)
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(If you don’t like cursing look away now. Personally, concidering the circumstances of this poor mother’s rage, I think it’s entirely justified.)
A mother who recently lost her daughter by a horrific murder tries to stirr up her small community and the insanely lazy police force to finally do something, and look for the perpetrator, who is still out there.
I love black humor, but this one was very, very... black. I don’t know how you can be so funny and yet deal with such horrific things at the same time, but they pulled it off so, so well.
In a matter of minutes you feel like you are part of this little town and you get just as frustrated as any and every character on the screen, they are all written so well, it’s as if you’ve known them for years. It was so easy to get into the whole story.
Just after five minutes it’s impossible to stop watching. The lead character ( Frances McDormand ) is just simply amazing, I think she was nominated last year too and I can see why. I’m not a mother, but I could feel her heartbreak every second.
+ Bonus Point: No unecessary stupid romantic bullshit, congrats Hollywood, slowly you’re learning and realise that when you see a man and a woman they can be friends.
++ Bonus Point: same director of ‘In Bruges’ and ‘Seven Psychopaths’ so I feel like a fish stuck on a bait already because I adore those movies, but heh... I am happy to be captured once again. I LOVE him.
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- Triangle (2009) - Dir Christopher Smith 
????: - IF. THEY. BOARD. KILL. THEM. -
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Genre: Psychological Thriller
Trailer (I really recommend you don’t watch this one)
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I can’t really explain short what this... this... thing is without spoiling anything. Some attractive people straight out of glamour magazines get shipwrecked on their out of a magazine yacht and they get onto another ship. If I say more I ruin all the fun.
I think this might actually be my favorite out of the ones I saw because I remember sitting for an hour straight with a hand covering my mouth with how insane it was. I didn’t know what to believe for a long, long time.
The beginning is such a false representation of what’s to come, and I remember trying to begin watching it years back but I fell for their trick and quit. Now I’ve seen all of it it’s actually up there with some of my favorite psychological thrillers, and I’ve seen ALOT.
But, like I said before, you honestly can’t talk about anything without spoiling it, so don’t even look up the ratings or trailer or synopsis. Just trust me, I went into this knowing nothing and I was never more grateful. (Though know you’ll need a strong stomach at times because there is unexpected blood and gore.)
+ Bonus point: UGH it kills me not being able to tell how brilliant the end is. But yes. The end. And all the crazy foreshadowing.
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INTERLUDE
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The Void - Steven Kostanski and Jeremy Gillespie
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Genre: Horror, mystery, something someth-
trailer
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HAHA I’m just kidding, this was excruciating. Please don’t see it. I’m sorry but they should be punished for this so I had to include. If you want to have a good laugh though, be my guest. So much potentional, so much promise of a different layer of fear, and it goes absolutely nowhere and it’s so sad. It’s not like I’m stupid and just ‘don’t get it’, there is nothing to get. I don’t think the writers even knew what they were getting at.
I sound so mean, but I am mean because I was robbed of my time.
Yes, yes... they did a good portrayal of Hell. But ironically Hell was sitting through this movie. After seeing ‘Triangle’, a movie that ACTUALLY portays Hell well in my opinion, this is just... amazingly bad. Good special effects can’t save this movie for the life of it.
(I wanted an interlude because making this is pretty draining.)
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END INTERLUDE
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- A Simple Plan (1998) - Sam Raimi 
“Sometimes good people do evil things. Four million dollars and plenty of change. They've worked hard all their lives, but they still can't afford the American Dream. Stealing it is even better.”
“Do you ever feel evil?”
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Genre: Crime, Suspense
Trailer (safe to watch)
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Three dudes find a bag of 4 million dollars. Sounds like a slam dunk to me, but it isn’t easy at all because a ton of problems come with it. Who did it actually belong to, is it morally right to keep it, what if the police is after it, does it mean you’re stealing...? What if money corrupts and friendships aren’t like they seem to be and how far will you go to keep it?
This one is straight out of the Coen’s brothers directory, but I’ve looked and I don’t think they have any affiliation with it. Anyway, it’s sooooo reminiscent of Fargo with the set and tone and everything, I honestly thought they had something to do with it. If you’re familliar with Fargo, you’ll absolutely adore this one.
It’s such a dreadful but such a true tale about how people can act ‘differently’ once given an opportunity. You might end up thinking ‘I would never do that’, but... wouldn’t you? You’ve never been in the place of these characters and it’s impossible to imagne, and seeing the true nature of how abhorent you truly can be, can be confrontational.
Everything you try to do leads to more complications, and it’s hard to imagne where you’d say ‘no, enough is enough’.
It’s not an easy watch because it’s way too true but I adore it.
+ Bonus point: Billy Bob Thornton. If you’re not familliar, get on it. He’s amazing, always.
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Isle of Dogs - Wes Anderson
Oracle: It may snow tonight.
Boss: Really? Thank you very much, wow.
Oracle: To whom it may concern.
Boss: She sees the future!
King: Ha! No. She understands TV.
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Trailer (safe to watch)
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In a dystopian near-future Japan, dogs have become a menace because of some dog-flu virus, so they all get deported to a seperate island. But there are conspiracies flowing around, vaccinations being made, and the dogs do whatever they can to stay alive on this god forsaken island of trash.
I never liked dogs, sue me. But for some reason I KNEW this was going to be an experience so I bought a ticket, and holy crap was it worth it. Every single frame is a piece of art. Every. Single. One. (I want an artbook for this movie. Or a poster. Just... ANYTHING because it’s sugar to my eyes.)
I was so overwhelmed with how gorgeous it was, it was hard to concentrate sometimes, but I walked out with such a huge smile that lasted for days. The humor is on-point and yet so dry, just enough to pull you out of that overwhelmed trance. You end up caring for each and every one of the dogs because they are all perfectly rounded characters, better written characters than you see in humans sometimes. It’s mindblowing. The voice acting is perfectly cast and... Just. This movie is a dessert, something we don’t deserve but we got it anyway.
+ Bonus Point: Edward Norton voice acting. I am in love with his voice.
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WELL. I’ll make another one sooner than I thought because I have so many more to share, but honestly making these posts is a task (a lovely one though) but I have life duties. I didn’t even get to share my favorite ones yet, so stay tuned (nobody will read this but whatever)
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